from my single women body of work ~ (embiggenable)
(embiggenable)
(embiggenable)
(embiggenable)
(embiggenable)
BEFORE ADDRESSING TIPS FOR PHOTOGRAPHING IN PUBLIC, I thought I would address the idea of what is street photography. It seems that the answer is open to question for some-the purists would say that it is pictures of people made while standing on an actual street using BW film in a camera with a wide-angle lens attached. Anything else is, well, quite simply, not street photography.
That definition is a little too tight-ass for me. Consider this from a more modern source:
“Street photography at its essence means candid photography of humanity. A street photograph is a real moment….Street photography can be done anywhere and people do not have to be present in the photo….It is a way of connecting with the world and bringing back the moments that stand out. ...It can be likened to a visual form of poetry – while beauty and form are important aspects of street photography, great street photographs often have something going on beneath the surface….There are hints, feelings, ideas, stories, or questions…”
That definition more closely aligns with my idea, re: street photography. However, I would suggest 2 other points; 1) color of BW, your choice-whatever works for your intent, 2) if people are not present in the picture, it should illustrate evidence of places / things that suggest a past or future human presence.
Re: tips for photographing in public. The first thing you should know is that I do not consider myself to be a street photographer. Rather, I am just a guy wandering around various streets around the world with a picture making device of some kind and my eye and sensibilities perpetually attuned to picture making possibilities. That written, I have managed to make quite a number of pictures that many would label as street photography. Be that as it may be, the fact remains that I have never consciously developed a street photography strategy.
On the other hand, I have relied upon simple common sense procedures. Assuming that one wishes to imitate the proverbial, somewhat inconspicuous fly on the wall, the operative word is “simple”, as in, keep it simple. It ain’t rocket science. Ya know what I mean? Say, like:
Simple # 1: Gear. A single, small, unimposing camera with small, unimposing WA lens. Preferably with standard metal trim cuz most people know that pros use black cameras.
Simple # 2: Clothing. No fashion statements or bright colors. If you can not blend in to the crowd, try not to stand out too much.
Simple # 3: Body language: Do not stand in any one spot too long. Act natural. Be casual. Look around, especially at things you have no intention of picturing. Ya know, cuz you are just a naturally curious sorta person.
Simple # 4: The act of making the picture. Point and shoot. Your picture making device must be set and ready to go. If you have to hesitate to make an adjustment, you risk alerting the subject and the decisive moment will probably be missed.
On an added note, in my experience, I have only one time ever been waved off by a subject while making a street photo. A simple shake of the head and a wave of the hand and that was it. Which leads me to believe that there is nothing to be anxious about when making street pictures. Especially so when one has mastered the art of being a fly on the wall.
An example: I am not small person - a reasonably fit 6’ 3” / 220 lbs with long (8 inches below my shoulder) very wavy light grey hair, most often seen wearing a black baseball cap with a bright KODAK logo on the front which nicely compliments my weirdly stylish eye wear. When out and about, it is SOP for me to hear, “Nice glasses.” or “I love your hair” - almost always uttered by women. All of which makes the following somewhat interesting….
….if you check out my single women gallery on the WORK page, none of those subjects ever knew I was photographing them. That despite the fact that 90% of the photographs were made relatively in close with a street photography “standard”, moderate WA lens. A prime example of discrete fly on the wall, point and shoot, and then disappear into the wind picture making.