# 5505-07 / rist camp•still life•around the house ~ I confess

(embiggenable) • iPhone - 2x Portrait setting

(embiggenable) • µ4/3 - needed a longer tele lens

(embiggenable) • iPhone - ultra wideangle setting

NOW THAT I AM BACK HOME, FIRST THINGS FIRST....on my BW OLDIES ~ LONG AGO / FAR AWAY entry, Thomas Rink asked:

"Did you make the picture with a square aspect ratio camera, or has it been cropped to a square later?"

Interestingly, or strangely enough, dispite my near exclusive adherence to the square format, I have never owned a square format camera. With the exception of a 3-4 year period of personal picture making-as opposed to professional-during which I used an 8x10 view camera (and made prints to that format), I have always cropped to square from various camera's "full-frame" files / negatives. The lone exception to that practice is my iPhone image files which are made using the square format setting.

When using my µ4/3 cameras, the viewing screen (LCD) is set to square. Consequently, when processing RAW files-I always make RAW files with my µ4/3 cameras-my conversion software only displays the cropped image (which I had viewed on my camera's viewing screen). Inasmuch as I NEVER crop the square image file which came out of the camera / iPhone, I consider my pictures to be "full frame" / un-cropped square images.

And, on a directly connected noted, I have always printed-analog and digital-my pictures with a thin black border. In the analog days that meant including part of the film edge. In the digital "darkroom" that means introducing a "manufactured" edge. In either case, the use of a black edge was/is traditionally most often intended to indicate that the picture was un-cropped.

In my case, the use of a black border is two-fold: a.) it does indeed indicate that the picture is uncropped. i.e., exactly as the I saw it on/in my camera / iPhone viewfinder/screen. b.) to reinforce that the picture is, in fact, "cropped" / consciously selected from the surrounding world.