civilized ku # 3571 ~ I'm not getting old, I'm just getting .... older

(embiggenable) • iPhone

AS I WORK TOWARD A STATE OF THE MEDIUM AND ITS APPARATUS entry, it makes sense for me to eliminate some topics that I will not be writing about. So, off the top of my head ...

.... photo journalism. I follow photo journalism online, primarily on the NY TIMES. The only comment I have, re: that genre, is that BW pictures are almost entirely a thing of the past. iMo, that's a good thing inasmuch as the goings on in the world happen in a world of color. End of story.

.... gear. Gear holds one tiny tick above zero for me. Suffice it to write, there are lots of picture making devices out there. Pick one and go to town. End of that story.

.... professional / commercial photography. Even though that's the pond I swam in for decades, it's all ancient history now-some damn good history it was-and, while I do (on occasion) miss being challenged by clients to produce creative solutions to assignment requirements, I do not miss the challenge of keeping the studio lights on and paying the bills. End of that story (although I could write a book).

All of that written, I would like to end the year / decade with note of thanks to those who follow this blog. While there is little in the way of comments, the site analytics-visits, page reads, etc.-are pretty good. Good enough to keep the show on the road.

Civilized Ku # 3570 ~ round up time

(embiggenable) • iPhone

A FAIR NUMBER OF PHOTO SITES/BLOGS have posted, or will soon, entries of the end-of-the-year recap variety. Some are personal accounts, some are gear related (best camera / lens / et al of the year, etc.), while a few are about pictures (best books, exhibits, the year in pictures, etc.).

I, on the other hand, have been giving thought about an year-end entry regarding the state of the medium and its apparatus. The more I thought about it, the more I came to the conclusion that trying to do so would be would be a rather difficult and time consuming undertaking .... it's a big photo world out there and, even though I have a reasonable grasp of many of the goings on, the best I could do would be a mere scratch on the surface of things.

So, here I sit in a hotel suite in South Jersey killing time before the wife's family (now my family) Xmas party thinking about doing it, or some modified variation thereof, nevertheless.

(embiggenable) • iPhone

iMo, The task for me is to not bite off more than I can chew. Or, more importantly, more than readers here want to chew on .... a concept made rather difficult inasmuch as I am not certain what followers here want from this site. That written, I'll just keep on following my inner voice and see what happens.

civilized ku # 3569 ~ ho ho ho

(embiggenable) •iPhone

SANTA'S ADIRONDACK DELIVERY SYSTEM VEHICLE. Hope he drops something nice on one and all. But, if you've been naughty not nice, you might want to seek shelter under ground somewhere.

civilized ku # 3565-68 ~ does size matter?

(embiggenable) • iPhone

(embiggenable) • iPhone

(embiggenable) • iPhone

IN THE ENDLESS BANTER, re: the medium and its apparatus, FLOATING AROUND webscape, the idea of size is a reoccuring topic. More often than not, those discussions are focused on the size of a sensor / camera / lens / et al .... too big? too little? just the right size? and so on. But, when it comes to does size matter?, re: the medium and it apparatus, I am more interested in that question regarding the size of prints.

At the start of this topic, let me write that I do not believe that there is one right size for a photographic print. Over the years, I have viewed, in galleries and museums, prints both large and small ... from Jeff Wall's enormous "prints" (actually transparencies), the largest of which are 17'x46', to Walker Evans' Polaroid prints. Not to forget KODAK's Grand Central Station Colorama, 18'x60'.

Then there's my house. The largest prints, of which there are only a few, on the walls of my house are 24"x24" inches (1 print is 1.5'x3'). Most are 16"x16" with an assortment of 10"x10" prints. Quite a few are 5"x5" (my snapshot prints)

All that written, here's my point. In all of the aforementioned cases, the prints are/were the "right" size inasmuch as the sizes were appropriate for the venue in which they were hung. That is, each venue was/is big enough to allow a viewer to stand at distance from which the picture could/can be viewed in its entirety. And, iMo, that is how a picture should be viewed.

To wit, when a picture maker makes a picture, he/she imposes a frame around the edges of the scene. Most of the real world is excluded and a "slice" of it is selected / isolated and recorded. iMo, in this process of selection, good picture makers impose a frame in order to capture and "arrange" (by their literal POV, aka: where they stand) a visually interesting placement (within the frame) of visual elements-line, shape, tone, color, et al-which, independent of the picture's referent(s) and to my eye and sensibilities, make a picture a joy / pleasure to look at.

A large part of that joy / pleasure for me is a quality found in a picture that I call visual energy. I like my eye to "dance" around the surface of a print and "bang" into the frame's edges only to be sent skittering back into the heart of the matter. To be accurate, that is, quite literally, the first thing I see when viewing a picture. And, I can only see it when I can view a print in its entirety.

So, for me, there is no "right" size in terms of physical dimensions. The only right size, for me, is a size that fits the place in which a picture is hung, which allows me to see the whole thing.

PS All of the above written, I must also write that I do believe that smallish prints-18'x18' or less?-do possess a sense of intimacy and "preciousness" that larger prints lack.

civilized ku # 3564 ~ garbage in garbage out

(embiggenable) • iPhone - Night Mode

(embiggenable) • iPhone

IN MY RECENT ENTRY, stupid is as stupid is, I WROTE that it was important to have a basic understanfing of how the iPhone (or any in-phone camera) works in order to get the most out of it. After reading some responses to a comment, re: in-phone cameras are capable of high quality picture making, I made on a photo blog wherein some commenters mentioned that they could not make quality prints beyond an 8 inch max dimesion, I came to the realization that there are obviously a lot of piture makers out there who are less than knowledgeable about not only anything beyond rudimentary file processing, but also how to make a high quality print.

DISCLOSURE: I am a Photoshop power user and have been using various versions-upgrade after upgrade-of the program for over 25 years. During that time I have been processing / prepping image files to high quality direct-to-plate pre-press standards. That is, files which are used to make printing plates for commercial printing press use. My knowledge and experience in doing so is directly applicable to processing / prepping my picture files for high quality printing on my Epson Wide Format printer.

A typical comment:

...I've made 8x8 prints and they look good, not great but actually pretty good.

Case in point, this picture maker has a problem. Or, perhaps, even many problems. He/she is using an iPhone 11 MAX PRO so the problem certainly should not be there, although, as I know from conducting iPhone picture making workshops, quite a few people with good phones make iffy pictures (technically). But, even if they are making decent image files, they have no idea how to take those pictures to the next level ...

....and the next level is knowing how to process the image files and this where most in-phone camera picture makers fall short. Using good picture processing is paramount. There are some very good apps out there - Snapseed, the new Apple processing tools, to name just 2. However, understanding how to use those apps in order to improve file quality, as opposed to damaging a file-which is very easy to do if you do not know what you are doing-requires a bit of learning. And it is this step on which I concentrate much of my iPhone workshops.

My next step in prepping a file for printing is to download the file to my desktop setup where I perform "finish" fine tuning in Photoshop - the full desktop version. A very important element in the fine tuning is a reasonably well calibrated monitor. Without that, a user is sorta "working in the dark". With it you are working to WYSWIG standards, aka: What You See on the monitor is What You Get on the printed picture.

Of course, getting what you see on the monitor on a print also requires that the printer you are using is set up with the right paper profile amongst a few other printer settings.

All of that written, ever step of the way from making the picture, processing the file and making a print requires knowledge and attention to detail. There are no shortcuts or punching a button and letting the machine and software do the rest. Or, to write the venerable computer adage, garbage in, garbage out.

I suspect that those who are having difficulty getting great, not just "good", results from making pictures with an iPhone (or similar) do not have the knowledge of and/or an understanding of the complete process.

civilized ku # 3561-63 ~ therefore I am

sink / window in Brooklyn ~ (embiggenable) • iPhone

a tree grows in Brooklyn ~ (embiggenable) • iPhone

phone cluster in Brooklyn ~ (embiggenable) • iPhone

IN A RECENT ENTRY I WROTE A RESPONSE TO a blogger's statement that, when using an iPhone to make pictures, he/she did not "feel like either a photographer or an artist". In my response I did not approach that statement from the POV of an iPhone picture maker. Rather, I kept it generic inasmuch as I pointed out that, by dictionary definition, if one makes a picture with a picture making device, any kind of device, one is a photographer. Or, iMo, at least acting like a photographer.

Re: the other idea of feeling like an artist, I pretty much begged off dealing with it by writing that I did not know what an artist is or is supposed to feel like. For that matter, I really did not know what a photographer is suppose to feel like. And, to get down to the nub of the feel-like idea, I have never spent much time, if any, trying to figure out what it feels like to be a human.

Since this is a blog about the medium of photography and its apparatus, venturing down the metaphyics (abstract theory with no basis in reality) rabbit hole is not on my play card. So....

.... simply written, I make pictures, therefore I am. I make art, therefore I am. I am a human, therefore I am. I do not think about being those things cuz I just do it (those things), and, I just try to do it in best manner I know.

civilized ku# 3558-60 ~ stupid is as stupid is

the Apple Cathedral ~ Brooklyn, NY (embiggenable) • iPhone

Brooklyn, NY (embiggenable) • iPhone

Brooklyn, NY (embiggenable) • iPhone

THIS WEEKEND, WE MADE A TRIP DOWNSTATE-about as far downstate as one can go in NYS-to: 1) see Hugo's hockey games (Fri.nite, Sun. afternoon) just north of NYC, and 2) see a play with our nephew in Brooklyn, where we stayed overnight on Fri./Sat.

On Saturday I got out and about in a light rain and fog and made a few pictures. While I have never pursued street photography in the classic sense, I do enjoy making urbanscape pictures. Over the years, in fact decades, I have made a significant number of urbanscape pictures both in the US of A and across the pond in Europe. However, I have yet to pull them out of my photo library and organize / edit them into a separate body of work - my bad.

That written, here's a iPhone picture making idiosyncracy of which to be aware. The AI picture making programers at Apple are working dilgently to make the iPhone camera module as suitable as possible for its intended audience ... the average snapshot maker. Despite the "PRO" moniker on the iPhone 11 MAX, the camera module is not intended to be used for "serious" picture making. That written, the iPhone can be used for "serious" work if the user understands how the device actually works....

....a very important case in point, re: how it works. The AI function wants to produce, and almost always does, a picture-perfect file. That is, a file which exhibits a dynamic range of 0-255, or maybe 5-250, on the Photoshop CURVES scale of things. A feature which, as in the case of the pictures in this entry, results in a much too snappy / contrasty look than the actual scene conveyed. Inasmuch as I wish to portray the scene as close as possible to the actual fact of the matter, this means I have to engage in post picture making processing that reduces the contrast, and at times the color saturation, to that of what I saw.

The same holds true for the behind the scenes AI employed when using the Night Mode. Most night / dark situations are, duh, dark as well as "murky" and I most definitely want to convey that feeling in my made in the darkness pictures. Therefore, post picture making processing the only way to get there.

So, here's my point .... I have always been a Photoshop power user. That is to write that I have never made a picture using a digital picture making device-camera or phone-which didn't receive some post picture making processing.

On average, my iPhone files require a bit less processing than those from my "real" cameras ... give full credit to the HDR AI for that. Most of the iPhone file processing is done on the iPhone or iPad using Snapseed and the latest much improved Apple editing tools. However, in many cases, I do a final polish / fine tuning on the files using Photoshop on my desktop setup.

Using the tools available and having an understanding of how the iPhone camera module AI works, the iPhone can be used, despite the developer's intent, as a very good picture making device for "serious" picture making work.

Anyone who tells you otherwise is full of uniformed crapola.

ADDENDUM; I forgot to write that the pictures in this entry were made with new very wide angle iPhone 11 PRO MAX lens. A lens for which I didn't think I would have much use. Kinda like it for making urbanscapes.

civilized ku # 3557 ~ easy / hard

stems in water in a vase ~ (embiggenable) • iPhone

AS I WAS READING AN ENTRY ON YET another photo blog, I read that the picture maker had acquired an iPhone 11 Max and was posting his/her first picture made with the device. In doing so, the picture maker seemed to be a bit befuddled inasmuch as it was written that ...

[the] image up there is a snap shot... with all of the information that my Canon 7D Mk II would have gathered, perhaps even more....Problem is [using the iPhone], it doesn't make me feel like either a photographer or an artist.

I sorta get it but, then again, I really don't. Perhaps the difference between that picture maker and me is that I have never felt adverse to using any camera-sub-minature > 8x10 view cameras > Polaroid and "toy" cameras or even a scanner-in my picture making endeavors. No matter what picture making device (they are all devices) I use, I never felt myself to be less than a photographer inasmuch as, simply put, I was making pictures.

And, to be certain, isn't the act of a making picture, no matter the device used or the methodology employed, what the medium of photography and its apparatus is all about? Once again simply put, by dictionary definition-"a person who takes pictures"-is a photographer whether or not he/she "feels" like one.

As for the idea of feeling like an artist, that's another subject. To be honest, I am not sure that I know what an artist is supposed to feel like. However, I am pretty sure that it has little to do with the tools one uses to make art.

ASIDE This entry should not be understood to be criticism of the picture maker. He/she was not dumping on the iPhone but, rather, seemed to be perplexed by its ease of use, high quality results and how it feels in the hand ... leading him/her to the question, isn't making a good photograph / art suppose to be hard to do, not easy to do?

Perhaps the answer to that question can be summed up by writing, taking a photograph is not a hard thing to do but making a good photograph, aka: art, not so much. END OF ASIDE