# 6407-11 / windshield series ~ keep your eyes on the road

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WHILE RUMAGING AROUND LOOKING FOR PICTURES for the Philosophy of Modern Pictures book/project, I discovered that, yet again, there was an unintentionally-made body of work lurking in my picture library. I have labeled it as the windshield series. Although, if it is ever exhibited in Great Britain, it will be the windscreen series.

The pictures in this entry are few examples of pictures from the series. A series of which I am quite fond. So much so that I will begin to deliberately seek out such picture making possibilities. Those possibilities should not be hard to come by inasmuch as I live in a geographic anomaly in that I am at least 30 miles from everywhere.

# 6406 / the new snapshot ~ playing games

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It rarely occurs to such a photographer” - (the lowly householder who desires only to have a camera around the house) “to take a picture of something, say a Venetian fountain, without a loved one standing directly in front of it and smiling into the lensbecause of his very artlessness, and his very numbers, the nameless picture maker may in the end be the truest and most valuable recorder of our times. He never edits; he never editorializes; he just snaps away and sends the film off to be developed, all the while innocently freezing forever the plain people of his time in all their lumpishness, their humanity, and their universality.” ~ Jean Shepherd

BEEN AWAY FROM MY BLOG ENTRY MAKING station for a few days cuz I+wife were entertaining some out-of-town family and hanging around various Olympic venues-curling, speed-skating, ski jumping-watching the Lake Placid 2023 FISU World University Games - 11 days, 2500 athletes from 600 universities and 50 countries competing in 12 winter sports.

We are, and will continue to be after our guests have left, planning to continue with watching the curling competition and the ice hockey semi and final rounds. Last evening we attending the men/woman’s ski jumping competition which was won by a Polish woman and Pakistani man respectively.

FYI, while all of the competitors are students, some are also World Cup / Olympic athletes so we are seeing some pretty damn good performances. Tickets for most events are $15US-$9US with the locals 40% discount. That’s a pretty good bang for the buck.

# 6389-95 / common places / things ~ free and easy

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DISCLAIMER: OVER MY YEARS OF READING ANY THING I COULD get my hands on (books) or find online, re: the medium and its apparatus, numerous words / phrases / paragraphs / et al have popped up which, to my way of thinking, have relevance to my manner of making pictures. And, over those same years, I have used many of those descriptors on my blog(s) or when talking about my work. ASIDE when using a full paragraph, aka: excerpt, I always include an attribution END OF ASIDE.

That written, one characteristic of my pictures, about which I have made plain, is the fact that my eye and sensibilities are pricked by the quotidian, aka: the “stuff” of everyday life. Or to put it another way…I like to take into account, picture making wise, much that barely impinges, for most, on consciousness, even though it makes up the usual stuff of our lives.

Consequently, since my mind and eye is open to any and all picture making possibilities, I never know where in the world I will “find” my next picture. And, it is precisely that “uncertainty” / openness-my complete lack of previsualization-that allows my seemingly innate vision to impose its will upon / respond to how I “see” / “feel” the correct configuration of visual elements of any slice of the world that pricks my eye and sensibilities.

Simply written, I do not “work” a subject nor I do not “think” about what I am doing. I spontaneously point my picture making device toward whatever has prick my eye and sensibilities, adjust my POV-guided by what I see on the device’s display-until the configuration of the subject feels “correct”-quite obviously determined by my eye and sensibilities-and then activate the shutter. Wham bam, thank you mam.

On those occasions when a picture making effort “works”, that picture is something of a visual delight / revelation to my eye and sensibilities. And that is the reason why I can not stop making pictures.

# 6380-82 / around the house • common things ~ what field are you playing on?

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A CONSIDERABLE PART OF PART OF the philosophy of modern pictures project is attempting to get an overview handle on what’s going on in the picture making world.

FYI, I have, for my purposes, divided that world into 2 categories; the snapshots and art worlds. However, to be more precise, the art world is split into 2 categories; decorative art and fine art. And, just to further define things, I have divided the fine art world into 2 sub-categories; the minor leagues and the major leagues.

In keeping with my previous post, wherein I wrote about my target audience, aka: me, of all of the above described picture making categories, the one I am most interesting in addressing in the PoMP project is the fine art / minor leagues category. That’s cuz that’s the category in which I toil, picture making wise. And, I believe that it is that category which holds a significant number of picture makers who are striving to make fine art but who will not make it to the major leagues.

So, in order to for my project to have value for that constituency, I believe that, having toiled in the minor leagues-with considerable success-for a significant part of my picture making life, passing on my experiences therein should be of interest to those working in the same picture making world.

All of that written, and returning to my opening remark, re: attempting to get an overview handle on what’s going on in the picture making world, I came across an item that might be of interest, what’s going on wise, to my blog followers. A collection of approximately 750 pictures which, by the slant of the site on which they are presented, are a fair representation of what’s going on in the minor leagues. And, FYI, if a picture catches your eye, there is usually a link to the picture maker’s site where more of their work can be viewed.

# 6374-76 / common places • common things ~ things that do work

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RE: The Philosophy of Modern Pictures PROJECT / BOOK: now that the Happy Holiday Daze faze is nearing its end, the PoMP project/book has shifted into high gear inasmuch as it is time to get down to basics, i.e. deciding who my target audience is, so that the writing can commence with that focus in mind….

….without a doubt, the primary target audience is me. That is to write that I am undertaking the PoMP project/book to organize and clarify-all in one place-my picture making thoughts and practices-along with a heaping sample of my pictures-in the hope that it may be of some value to my secondary target audience, i.e.: those picture makers who are wandering around in the photo-making wilderness searching for a way to free their picture making minds from the confines of conventional picture making “wisdom”.

That written, let me make one thing perfectly clear, I am not trying to set myself up as a “guru” / “expert” / “authority” or even a “teacher” about anything. My intent for my writing in the project/book is to create something that is interesting, for some, to read, just as my intent in making pictures is to create something that is interesting, for some, to look at.

There will be no “how to” about any thing in the book. Rather, it is my intent to write about some of the guideposts I bumped into-in many cases on accident, by means of traveling with an open mind-in my journey through the picture making wilderness. Guideposts that just may be of some interest and/or use for fellow travelers.

RE: THE PICTURES IN THIS ENTRY: these pictures-despite their disparate referents-are identical in one respect. If you can not recognize that similarity, consider this from Robert Adams from his book Why People Photograph ~ Teaching:

if teaching photography means bringing students to find their own individual photographic visions, I think it is impossible (ed: fyi, so do I)…the scholar’s task is relatively analytic, whereas the artist’s is synthetic; academics enjoy disassembling things in order to understand how they work, whereas artists enjoy taking scattered pieces and assembling from them things that do work.

#6369-71 / common places • common things ~ confined to quarters pt.2

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ABOUT A WEEK AGO WHEN I WAS CONFINED to quarters, it was related to a extreme weather event. This time it’s cuz I am under the weather (to use a commonly expressed idiom). The “weather” in question this time around is Covid.

My symptoms are quite mild with extreme fatigue being the featured ailment. While this could not have happened at a more inopportune time, I should be out of isolation-my bedroom which, fortunately, is a suite with comfortable reading chairs, a tv, a full bathroom, an insulated porch, and some nice pictures on the walls-on Xmas Eve day.

That written, I do get out of the bedroom every now and then. I can do that cuz there is no else in the house other than the wife who came down with Covid a few days before I did (and then passed it on to me).

FYI, the wife and I both got Covid even though we are both up-to-date on vaccines. Obviously, the Covid keeps evolving but medical knowledge believes that our mild symptoms are due to the fact that we are up-to-date vaccine wise. Who knows? But, iMo, it’s better to try to be safe than to end up being sorry.