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ON A RECENT POST ON ANOTHER SITE THE IDEA OF EDITING one’s work came up. The general response to the post was that editing one’s own work is hard / difficult work and there were suggestions by commenters, re: how to make editing easier.
In my little corner of the picture making world, editing my work has never been hard or difficult. That is so for a number of reasons. One important reason is the fact that, even though I make a lot of pictures (nearly 13,000 pictures in my “finished” picture folder, all made over the past 20 years), those pictures are the result of making very considered single POV selections for making a picture. I rarely “work” a scene other than an exposure bracketing so in most cases it’s one-and-done. The result? There are not a lot of frames to sort through.
Add to that situation, the fact that I have a very high good picture success rate (feel free to call this a conceit), I do not spend much time having to decide whether a picture is a “keeper” or not. That written, some of my keepers are better than others.
How I determine which pictures are merely good, which are better, or which are best, aka: editing, is based upon the same premise I employ in my picture making…that is, trusting my vision-both literal (what my eyes perceive) and figuratively (perceiving forms that are recognizably derived from real life). Or, to put in in other words, I picture whatever pricks my eye and sensibilities and I determine whether my pictures are good / better / best based upon how they prick my eye and sensibilities.
That is, when a picture hits my eye like a big pizza pie and then shakes my nerves and rattles my brain, it slides into my “best of” folder and usually ends up on a wall (my home, in a galley) or in a photo book.