# 6447-48 / kitchen sink • diptych ~ allusive, formal, and breathtakingly efficient

Frienze

These collections of the photographer’s are pictorial notebooks—efforts to capture an evanescent emotional reaction to a visual stimulus. He is not really trying to say this or that has existed, but that this or that has existed for him in a particular way.” ~ K.B.Dixon

iMo and to my eye and sensibilities, the very best of photographs are those made by a photographer who see the world in their own innate / particular way; an M.O. that is most often labeled as their vision. And, the success of those photographs is most often conditioned upon, not what they photograph, but the resultant photographs which exhibit an exquisite sense of form.

Some might opine that creating form is just another picture making cliché; a tried and true formula for making pictures. To which I would write that, if it is true that everything that can be photographed has been photographed, I believe that it is true that no matter what one photographs there are endless possibilities for the creation of new form.

And, photographs that exhibit an allusive, formal, and breathtakingly efficient sense of form are those that separate the really good photographer from the merely talented picture makers.