ONE OF THE VERY FIRST PHOTO-BOOK MONOLOGUES I ever purchased was a photo book of pictures made by Gordon Parks. I do not remember which of his pictures that, at the time, pricked my eye and sensenbilities and caused me to purchase that book.
However, what I do know is that many of his pictures, especially his color work, exhibit a quality that I would label as delicate and lyrical. A quality, no doubt, enhanced by a narrow depth of field which was most likely the result of, in his square pictures, his use of a 120 film camera (a twin lens reflex?) and that era's slow color film speed.
In any event, I mention Gordon Park's work as an intro of sorts to an explanation of my attraction to pictures with narrow dof...
...suffice it to write that I never have been a fan of "sharpness". To be more accurate, the excessive sharpness which is now approaching the status of a photo fetish. In fact, since my day 1 of digital picture making, I have been adding a tiny dash of global Gaussian Blur to all of my pictures as well as corner vignetting. I am also prone to reducing the color saturation in many of my pictures as well. All done in an effort to reduce the digital "look". And, iMo, making pictures with a narrow dof contributes to the same idea of reducing the digitial look.
Quite obviously, making pictures with a skosh of blur, corner vignette and narrow dof softens the image. And, I'm willing to admit that I do such things in order to create a, some might say, nostalgic look, albeit subtle, to my prints. A look that mimics how pictures use to look back in the pre-digital era of picture making.
However, it is not just a trip down memory lane which drives my picture making and print making proceedure / technique. My eye and sensibilities are drawn to pictures which exhibit a sense of "softness"...not soft in the blurry sense, but soft, as in, with the digital edge ground down.
To my eye and sensibilities, pictures which exhibit such "soft" qualities tend to be more lyrical, poetic and I might even opinion as more visually seductive than those straight out of the digital box. One might even write, picture that softly hum rather than emitting a screeching-finger nails on a chalkboard-shout.