AS I PLUMB DEEPER INTO THE WORLD OF INSTAX print making, taken together with my current-while away from my desktop-loss of PS processing capabilities, I have come to an amended interpretation of the adage:
A man who knows the price of everything and the value of nothing. ~ so said Lord Darlington in Oscar Wilde’s Lady Windemere’s Fan
In my amended interpretation, a man is a picture making people (man, woman, or child) whose pictures reveal everything (max detail, resolution, dynamic range, et al) but capture the value (feeling) of nothing. That is to write, to my eye and sensibilities, such pictures project the impression of a coldly analytical, surreal / hyper real, tour de force of technical “perfection” which, once again to my eye and sensibilities, have no “soul” or visual mystery /mystique.
SO, how does INSTAX prints and loss of PS capabilities factor into my price of everything / value of nothing picture making state of mind? Simply put, looking for extreme or small detail(s) in an INSTAX print is a fool’s errand. However, in my experience, the nearly universal reaction to the viewing of such prints is an immediate connection to the feeling the picture is intended to convey. There are few or no distracting details to get in the way of that perception.
And, re: PS capabilities, now that I have been “surviving” for a couple weeks without PS-using PS Express + Snapseed for my photo editing-I have begun to question my pursuit of “perfection” - things such as creating a high degree of shadow and highlight detail, optimizing color balance by differentiating color balance between shadows and mid-tones, and the like. Processing adjustments that I try to perform with a deft / subtle hand so as to be natural looking / not obvious.
Nevertheless, the question being, do I need to tone it down? The answer to that question can only be answered when I get back to my desktop system-with a working PS-and make a few prints from “toned down” files and in order to see what’s what.