I saw sunlight striking a flower and vase
I saw a halloween napkin
I saw a hotel garden
As I mentioned in yesterday's entry part of the concept, re: (I)eye witness, was to address the role of photography in creating visual documents which afix a precise truth as an adjunct to frail human memories. Which begs the question, should the genesis of the "memory" as pictured be part of the visual?
Hence today's pictures which include - all of a piece - a section of one of the original pictures used to make the (I)eye witness picture. iMo (at least as it stands here and now), is that there needs to be a visual reference to the camera's capability of recording the "truth.