# 6279-81 / flora • landscape • roadside attractions ~ I'd hike a mile (or not)

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Anything more than 500 yards from the car just isn't photogenic.” ~ Brett Weston

I HAVE A LARGE BODY OF WORK LABELED AS roadside attractions. All of the pictures were found and made within 0-30 feet from the road. That’s well within Weston’s 500 yards. I assume that Weston’s idea was based upon his use of cumbersome, large-format gear whereas my gear is quite the opposite. Suffice it to write that gear is not the reason for my attraction to roadside tableaux.

That written, the biggest problem I encounter with making pictures of roadside tableaux, since all of those pictures are made while driving along various rural roads throughout the Adirondack Forest Preserve (aka: Park), is finding a place to park my car. There are times when, after I find a place to pull over, I have to walk nearly 500 yards to the place that pricked my eye and sensibilities. Life, and picture making, can be so hard at times.

In any event, FYI, the picture at the top of this entry is-currently-at the top of my best-picture-I-ever-made list. And, a best of roadside attractions body of work will be posted on my front (WORK) page in short order.

# 6267-74 / autumn color • flora • decay ~ 15 minutes in the back yard

all pictures ~ (embiggenable)

If a medium is representational by nature of the realistic image formed by a lens, I see no reason why we should stand on our heads to distort that function. On the contrary, we should take hold of that very quality, make use of it, and explore it to the fullest.” ~ Berenice Abbott

THE LEAF-PEEPER RUSH IS ON. THIS YEAR AUTUMN COLOR is late, rather subdued, and of short duration. Blame a dry Spring and early Summer. Consequently, the happy leaf snappers will have to resort to saturation-to-the-max in order to illustrate what they wish Autumn color is suppose to be. Cuz, you know, reality just isn’t good enough.

# 5810-12 / kitchen life • landscape (civilized ku) - the pleasureable act of seeing

(embiggenable) • iPhone

(embiggenable) • iPhone / PORTRAIT setting

(embiggenable) • iPhone / PORTRAIT setting

IN THE LAST ENTRY REFERENCE WAS MADE TO SUSAN SONTAG'S declaration, re: art criticism. That critics should "show how it is what it is, even that it is what it is, rather than to show what it means."

Consider one such effort-from Sally Eauclaire in her book, the new color photography-to follow that directive:

"Jenshel's works demonstrate photography's potential in the romantic, picturesque mode. The formal play is relaxed. The forms unfold gradually but ineluctably, while colors shift into delicately nuanced and often improbable variations. Such melifluous features prolong the pleasureable act of seeing, caressing imagination while reviving subconscious yearnings for paradisiacal worlds of milk and honey." Len Jenshel

CAVEAT It should be noted that Sally consulted with me-on matters re: photo techniques / mechanics-during the writing of her book. She had little, bordering on none, knowledge about how photographs were made, camera technique / printing materials and technique, et al. Needless to write, that upon receiving an advance copy of the book, I was delighted to find my name in the Acknowledgements on the very first page in the book. END OF CAVEAT

The above excerpt-which I really like-from the book is representative of most of Eauclaire's critiques in her book, all of which are mercifully free of photo-world jargonisms. On the other hand, it could be suggested that her writing is chock full of artspeak jargonisms and 2-dollar words. However, whatever anyone might feel about the actual words, the fact of the matter is that she consistently writes about photographs from the perspective of "the pleasureable act of seeing" and a picture's capability of "caressing [the] imagination" - an erotics of art, indeed.

Even when Eauclaire addresses things photographic such as camera formats, she does so with a literary touch:

"Len Jenshel and Mitch Epstein seem to function like 'Aoelian harps' responding when strummed by the exceptional confluences of the worlld's appearance. Using hand-held, 6x9cm cameras, they are able to cruise fluidly in search of their subjects, reacting with greater rapidity than a large format camera would allow...Jenshel and Epstein shoot intuitively and omnivorously, navigating through reams of subject matter with the mobility of fighter planes in search of an appropriate target."

All of the above written, I find it refreshing to read about the medium of photography and its apparatus / photographs written by non-photographers. That is, writers / critics who come from the greater Art World rather than from a specific segment-Photography Division-thereof. It is also why, for the most part, I like showing / exhibiting my pictures to non-photographers cuz in both cases non-photographers are much more apt to see a picture for what it is rather than searching for meaning and/or viewing it through the fog of photo gear / technique.

# 5790-93 / still life • civilized ku • landscape • flora ~ fairy-tale pictures

(embiggenable) • iPhone

(embiggenable) • iPhone

(embiggenable) • iPhone

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YET ANOTHER EXAMPLE OF REALLY BAD ADVICE / IDEA, re: making pictures:

"One of the biggest mistakes a photographer can make is to look at the real world and cling to the vain hope that next time his film will somehow bear a closer resemblance to it...If we limit our vision to the real world, we will forever be fighting on the minus side of things, working only too make our photographs equal to what we see out there, but no better."

This quote comes from a well known natural world / landscape picture maker (now departed) who made pictures with heaping doses of art suace. That should come as no surprise given the impoverished sentiment expressed in his quote which might be summed up as "reality bites". A sentiment which drove him to make pictures, not in pursuit of illustrating and illuminating the true character of the natural world, but rather, that were caricatures-a comically or grotesquely exaggerated representation of (someone or something)-of that world.

That written, if one were to search in the right places, one could find many examples of good advice / ideas which stand in direct contradiction to the preceeding quote:

"Some people are still unaware that reality contains unparalleled beauties. The fantastic and unexpected, the ever-changing and renewing is nowhere so exemplified as in real life itself." - Berenice Abbott
"Photography makes one conscious of beauty everywhere, even in the simplest things, even in what is often considered commonplace or ugly. Yet nothing is really 'ordinary’, for every fragment of the world is crowned with wonder and mystery, and a great and surprising beauty." - Alvin Langdon Coburn

It should be obvious-to those who have followed this blog for any length of time-on which side of this dichotomy I come down on. However, for those who land on the same side as I do, there is another cautionary quote to consider:

"No one ever went broke underestimating the intelligence of the American people." ~ H.L. Mencken

I have uttered this quote-changing the word "intelligence" to the word "taste"-many times to explain the salivating admiration of the majority of the public for art-sauced pictures of the natural world. Mencken's quote is well worth heeding if one wishes to engage in the sale of pictures of the natural world cuz it's a fact that cheesey, over-wrought, art sauce laden pictures of the natural world are what sells.

# 5783-87 / landscape (ku)•civilized ku ~ imitation is the sincerest form of missing imagination

Sunday afternoon on a porch ~ (embiggenable) iPhone

along a country road ~ (embiggenable) iPhone

along a country road ~ (embiggenable) iPhone

along a country road ~ (embiggenable) iPhone

along a country road ~ (embiggenable) iPhone

THERE HAS LATELY BEEN SOME CHATTER AND NATTER, re: cliche, bouncing around on the interweb. Things like, what is a cliche?, how to avoid making cliche pictures, and the like. And, as is the usual case, the answer to such conversation provides a wealth of fodder for the idea of my Top insert number here Pieces of Photography Bad Advice and Sayings project. A prime example:

Photography is fundamentally a craft...[which] still requires learnin’.'Making pictures that look like' pictures that you admire is a landmark in that process for many, perhaps most, people. So I’d encourage newbies to make many such pictures and study them....Once you’re able to intentionally make that trite image of the Grand Canyon, the Eiffel Tower, or the Brooklyn Bridge you’ve achieved competence with the gadget. Now for the fun part.

To that nonsense I say, "Balderdash". The last thing one should do, for the purpose of making fine-art, learning to use a "gadget", or, finding one's vision, is to make "pictures that look like pictures that you admire". Rather, one might consider, as Brook Jensen suggested, to stop making pictures that "look like what you have been told is a good picture and start making pictures of what you see".

That written, re: "craft" - everyone who aspires to making good pictures, fine-art wise, needs to learn how to use a "gadget". iMo, the best manner in which to do so is to stand on the street in front of where you live-same spot again and again-and make pictures in the sun, in the rain, in the snow, in the fog, in the dark to include people walking, cars driving by, dogs chasing cats, garbage cans, discarded soda straws, or whatever else you might find / see in front of you.

And, most importantly, keep it simple...one camera, one lens, and adjust only fstop, shutter speed, focus, and ISO (as might be needed). DO NOT, UNDER ANY CIRCUMSTANCE, engage in any menu diving cuz the aforementioned gadget functions are all you need to "master" in order to start looking for one's own vision. iMo, menu diving is for "serious" amateurs who don't have, and quite probably will never have, their own unique vision.

In any event, the "learin'" process should only require a few weeks of one's time, 2-3 weeks at most. If it takes more than that amount of time, maybe consider selling your gadget and taking up The Art of Motorcycle Maintenance.

FYI, in my next entry I will address how, within 6 months of picking up a camera, I was making my living as a photo journalist. HINT It did not happen cuz I was making pictures that looked like what I was told was a good picture.

# 5869-71 / around the house ~ this way and that way

(embiggenable) • iPhone

(embiggenable) • iPhone

(embiggenable) • iPhone

BEING A CREATURE OF HABIT, I ALMOST ALWAYS HOLD my iPhone in a vertical orientation when making pictures. That's cuz, since I primarily make square pictures, it doesn't matter which orientation I use. So, I use the orientation that I normally use when holding / viewing my iPhone.

Now that I am frequently playing with the Portrait setting for it narrow-er DOF quality, + the fact that there is no square setting-although I can crop to square in processing-in the Portrait Mode, + the fact of my use of (habitual) vertical iPhone orientation, all of the recent full frame pictures I have made are in the vertical format. This relationship of habitual practices and their result just dawned on me. Duh and more duh.

Time to break old habits and hold my iPhone in a horizontal orientation.

5787-5792 / flora•people•civilized ku ~ what did you do this past weekend?

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OVER 46 HOURS THIS WEEKEND PAST THE WIFE and I drove 700 miles (round trip) to Rochester, NY to go the Lilac Festival in Highland Park* and to catch up with a few friends and family.

At the Lilac Festival I made a picture of the wife at spot where there was sign which stated that it was a perfect spot take a picture. I also enjoyed a refreshing $8.00 lemonade drink while the wife had a $6.00 Creamsicle smoothie.

FYI, I grew up immediately adjacent-about a 3 minute walk-to Highland Park, a beautiful setting, covering 150 acres (61 ha), of hills and valleys created from glacial deposits. Spent a lot of time in the park, skateboarding down the paved walkways, ice skating in winter, disappearing into the woods (overlooking the city) with my girl friend to watch the submarine races and variety of other activities.

On Sunday, during our return-to-home trip, we had a delightful late morning breakfast at the "famous" Keyes' Pancake House-a long time favorite of mine-in Old Forge in the south central region of the Adirondacks. We both had pancakes. Arriving home at 3PM, we spent a relaxing afternoon on the porch with the cat while imbibing a few drams liquid refreshment.

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Kinda felt like old times, aka: pre-Covid, thanks to the vacines and a (majority) pandemic mandate abiding population in our state.

*Designed by Frederick Law Olmsted to seem like a natural occurrence of trees, shrubs and flowers, Highland Park, a city park, is actually a completely planned—and planted—arboretum or “tree garden.” In addition to over 1200 lilac shrubs, the park boasts a Japanese Maple collection, 35 varieties of sweet-smelling magnolias, a barberry collection, a rock garden with dwarf evergreens, 700 varieties of rhododendron, azaleas, mountain laurel and andromeda, horse chestnuts, spring bulbs and wildflowers and a large number of trees. The park’s pansy bed features 10,000 plants, designed into an oval floral “carpet” with a new pattern each year.

# 5765-67 / flora•civilized ku ~ a picture is not a helicopter

Photoshop composite ~ (embiggenable) • iPhone

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EXACTLY MY THOUGHTS ON THE Academic Lunatic Fringe crowd (wherein content is more important than the visual)

"The funny and sad thing is that photography is an art, but these guys have such an inferiority complex about it that all they do is tag on gold-plate words where they aren’t needed. If they’d only let it talk for itself." ~ Gordon Parks