# 6469-74 / rist camp • flora • folliage (autumn) common places-things ~ small is beautiful

all photos (embiggenable)

IN MY REGION OF THE ADIRONDACKS PEEK (pun) leaf peeper season is about a week away. While I am not immune to the sight of the forest swathed in a red / yellow rainbow of color, I am adverse to the making of pictures thereof. To wit, the making of “standard”, color saturated, landscape calendar art.

On the contrary, bogs and swamps are my favored autumnal picture making venues. That’s cuz the biodiversity found in these wetlands creates a much expanded color palette than is commonly found in the red and yellow dominated forest palette. Throw in a wide variety of shapes and textures and, to my eye and sensibilities, there are picture making opportunities aplenty.

Often times, on my way to a bog / swamp, along the roadside I encounter scenes of pre-peek color. That is, a bit of autumnal color mingled in a greater scene of late summer, green-dominated, color. To my eye and sensibilities, these scenes have a great degree of visual energy; ya know what I mean….the opportunity to make one of those exhausting-to-read (sarcasm alert) photographs wherein the eye tends to dance-instead of falling asleep-across the 2D surface of the print.

All of that written, I would encourage the pursuit of shunning the grand autumnal landscape scenes in order to find those much more intimate tableaux of autumnal splendor.

# 6838-45 / common places/things • flora ~ Spring has arrived

all photos ~ (embiggenable)

a garden figure made from old tools

….photographic images tend to subtract feeling from something we experience at first hand and the feelings they do arouse are, largely, not those we have in real life. Often something disturbs [ed. aka, pricks] us more in photographed form than it does when we actually experience it.” ~ Susan Sontag

Yep.

# 6864-67 / common things • still life ~ good is as good does

WITH ALL OF THE ATTENTION GIVEN TO COLOR PHOTOGRAPHY, most notably on TOP, I must admit to being rather flummoxed, aka: confounded, or, simply confused, re: the idea of what is color photography and/or who is a color photographer?

It would be simplistic to write that / everyone who makes photographs with a device or materials capable of rendering reasonably accurate colors of the real world-as seen by a healthy human eye-is; a) making color photographs, and, by reasonable extension, 2) a “color” photographer. However, it would seem that in some quarters, just making color photographs is not enough to qualify one as a “color” photographer.

Apparently there is some other criteria that must be meet in order to be consider as a color photographer”. And, therein is where my confusion resides.

iMo, making color photographs makes one a color photographer. To my way of thinking, it is as simple as that. However…..

….I believe it to be indisputable that there are good color photographs and…gasp…not-so-good color photographs. iMo, the difference between the two is very easy to identify. A good color photograph is, quite simply, first and foremost, a good photograph.

My definition-influenced by my bias(es)-of a good photograph is summarized by this Cartier-Bresson quote:

To me, photography is the simultaneous recognition in a fraction of a second the significance of an event, as well as the precise organization the forms that give that event its proper expression. And this organization, this precision, will always escape you, if you do not appreciate what a picture is, if you do not understand that the composition, the logic, the equilibrium of the surfaces and values are the only ways of giving meaning to all that is continuously appearing and vanishing before our very eyes.”

I would substitute the phrase moment in time for the word event (a moment in time could include an “event”). However, that written, to my eye and sensibilities, the overall form seen in a photograph derives from the organization of the visual elements-line, shape, space, color and value-as framed and presented in the photograph. That organization is, in essence, balancing act. All of the visual elements must conspire to create a congruous whole-congruity determined by what the photographer wishes to express.

And, when it comes to color, I think it important to understand that the colors as presented in a photograph are just one visual element of any number of other visual elements that might be found in a good photograph. In my experience, I have found that color photographs that are saturated with color-or color(s) that has been over saturated-for color’s sake tend to slide over into the category of kitsch and dreck.

ASIDE Nevertheless, kitsch and dreck rarely fail to elicit fawning praise from the unwashed masses. cuz, ya know, no one ever went broke underestimating the taste of the American public. END OF ASIDE

All of the above written, I would guess that therein could be found my definition of what constitutes a good color photograph and that a photographer who makes good color photographs is a good photographer. Although…

…I’ll stick with the idea that there is no such thing as a good color photographer, or for that matter, a good monochrome photographer. iMo, there are only good photographers as defined by their making of good photographs of any variety.

6789-94 / travel ~ how I see it

all photos ~ (embiggenable)

IMO, THE CHALLENGE WHEN MAKING PHOTOGRAPHS WHILE TRAVELING is to make pictures that do not look like travel postcard pictures-deadpan pictures of ever so obvious tourist attractions and spots-yet, while staying true to your vision, still manage to capture an everyday-like sense of being there in the moment.

# 6676-79 / common places • common things • landscape ~ 2 different neighborhoods

yesterday evening in my neighborhood ~ (embiggenable)

this afternoon in my neighborhood ~ (embiggenable)

yesterday AM from my 2nd floor porch ~ (embiggenable)

the then wife and I 56 years ago in our Japanese abode ~ (embiggenable) Canon 7s w Canon 19mm f3.5 lens

SPENT THE DAY ORGANIZING AND PACKING FOR MY so-called annual week in hell, aka: a week at the South Jersey Shore. Don’t like it for number of reasons; fast becoming an enclave for the ultra-rich and their truly gross McMansions, heat and extreme humidity, and people crammed elbow-to-elbow on the beach. This trip I am sharing the place with 110 of the wife’s relatives (both sides of the family). For many, whiskey and weed will be the order of the day (and night). Me, I’ll play some golf and make a lot of pictures - I’m toting 36 10-packs of INSTAX instant print film in my kit.

RE; the last evening in my neighborhood picture in this entry-I can walk to this place-points up the difference between where I live-a place where people visit to escape the extreme summer heat-and the oppressively hot South Jersey Shore. That and the fact that, while I live in an actual park, it nearly impossible to find a place to park at the Jersey Shore.

In any event, I will most likely survive the week cuz I can take solace in the fact that at the end of the week we go directly to our Adirondack Mountain retreat, Rist Camp, for a five week stay.

6654-57 / people • flora ~ Qu'est-ce que tu sais "creativity"

(embiggenable)

(embiggenable)

(embiggenable)

(embiggenable)

AT SOME POINT OVER THE PAST FEW WEEKS I came across an entry on a blog-don’t remember which-regarding the notion of creativity. I did not like the article for a variety of reasons; the primary reason for that reaction was the fact that, iMo, it was not very creative.

That written, while the author did not dole out the usual drivel that infects the trash heap of how-to-be-creative advice books-use a different angle / POV, photograph in different light, shoot abstracts, try creative blur, etc.-he was selling the idea that creativity flows from challenge. That given a particular “problem” to “solve”-i.e., in the photo world, making interesting pictures-creativity will spring to life. That’s cuz , you know, creative juices will start to flow.

Now I am not writing that there is not a grain of truth in that idea but…if a problem solver does not have an imagination quotient-the faculty or action of forming new ideas, or images or concepts in the mind without any immediate input of the senses-capable of getting outside of the “box”, there ain’t gonna be much tasty “juice” to be had.

I write that keeping in mind the words of Einstein that:

“I believe in intuitions and inspirations…I am enough of the artist to draw freely upon my imagination….imagination is more important than knowledge.”

In that statement, Einstein was not discounting his plentiful knowledge (based upon his study and experimentation, aka: knowledge). Rather, it would be safe to infer that, based upon Einstein’s life work, that in order for one’s imagination to take you to worthwhile places, you need a sturdy foundation of knowledge to build it upon.

Which leads me to my idea of creativity or, at the very least, the source of creativity…the proverbial phrase, you are what you eat.

To wit, while that phrase was originally written to be quite literal-In 1826, the French lawyer Anthelme Brillat-Savarin wrote in Physiologie du Gout, ou Meditations de Gastronomie:

"Dis-moi ce que tu manges, je te dirai ce que tu es." - Tell me what you eat and I will tell you what you are.

-I have always used the phrase as a metaphor of sorts to suggest that what you “eat”-i.e., what things and ideas you surround yourself with*-influence, in fact, determine who you are and how you live your life. Therefore, re: in the world of art and art making, if one is surrounded by a culture of pablum and dreck, chances are that your imagination is limited by that input. Or, to use another common phrase, garbage in, garbage out.

That written, I also believe that not every person has the drive inspired by a native / natural / preternatural desire to probe / “investigate” the boundaries of conventional living and thinking. That is, an innate attraction to exploring new ideas and concepts (in any area of human endeavor). Call it curiosity if you prefer. Being safe, not sorry, is the order of the day in their world.

All of the preceding written, I believe the most creative act in the making of photographs is the decision / inclination toward what to photograph. That is to write, the answer to the question, what is it that you want to “eat”? However…

…once answered, that choice leads to yet another “problem” to be solved. The concept of …

It ain’t what you eat, it’s the way how you chew it. ~ Sleepy LaBeef (album title)

… which is a topic for another entry.

*Ok, ok. There’s also the DNA / genetic thing.

# 6536 / common things • flora ~ happy happy, joy joy

(embiggenable)

IT HAS BEEN A WHILE SINCE I HAVE MADE color prints to a very exacting look and feel. So, I am extremely pleased that, after a little (very little) printer maintenance followed by number of calibration settings test prints, my 20 year old Epson 7800 Stylus Pro is banging out perfect prints one after another, no adjustments needed. The prints in question are for inclusion in an An Adirondack Survey folio-actually 2 identical folios-that will be submitted, along with a 55 picture photo book of the same name, to gallery and art institution directors.

Re: the photo book. The proof book has arrived and, no surprise, the 6-color printing is right on the money. A couple images required minor adjustments, 2 pictures are being swapped out for pictures that are variations of the same scenes, and I am adding 4-5 additional pictures to the book. I like the flow of the book as is so no changes there. Next up is the printing of a 12x12 final book.

Assuming that the finished book is A-OK-there is no reason to believe that it won’t be-it is off to the races.

# 6489 / roadside attractions • flora • common things ~ picture makers just want to have fun

(embiggenable)

AS PART OF MY PORTFOLIO SUBMISSION TO GALLERIES, re: roadside attractions, an artist statement is mandatory. Writing one is always a bit of challenge cuz, if it were allowed, I would write one that stated, I made these pictures cuz I photograph whatever pricks my eye and sensibilities and I like the way they turned out.

However, that would be laughed out of court as inadmissible. So, instead, I am writing, in part, something that reads like this…

…. my eye and sensibilities impel me to make photographs of seemingly haphazard confluences of variegated flora and detritus …. (that) evince a riotous visual energy; an amalgamation of texture, line, shape, color, and value …. intimate landscapes that manifest-both literally (these are pictures of the real world) and metaphorically (the concept behind the work)-the essence of the energy and forces at work in the lives of all living things ….

For me, the challenge in writing an artist statement is to avoid telling viewers how to look at / what to look for in my pictures. I would not worry about this as much if it were possible to not give viewers an opportunity to read an artist statement until after they have viewed the pictures.

That written, I do believe that artist statements are intended to be read by gallery directors so that they can be assured that the work was made by a “serious” artist, not by some guy with camera who is just having fun.

Be that as it may, the statement is still a work in progress. However, I do have a deadline for a submission that is due by next Tuesday.