civilized ku # 5294 / diptych # 236 (ku # 1425-26) ~ risk, trust, reward

porch candle light ~ (embiggenable) • iPhone

yesterday / today ~ (embiggenable) • µ4/3 (L) / iPhone (R)

Re: yesterday's promise to "address what I consider to be the most difficult challenge in picture making" ....

First, let me refine my idea of "dificult challenge" by writing that it is not about the difficulty of climbing Mt. Everest in order to make a picture from the top of the world. Or, as Bill Jay put it:

...photographers who carry 60 pounds of equipment up a hill to photograph a view are not suffering enough, although their whining causes enough suffering among their listeners. No, if they really expect us to respect their search for enlightenment and artistic expression, in [the] future they will drag the equipment up the hill by their genitals and take the view with a tripod leg stuck through their foot.

So, let me rule out any picture making which requires strenuous physical endurance or dexterity. In addition, there are a host of picture making endeavors which require a very high degree of technical / specialized skills or equipment. However, I don't consider the acquisition of those skills or equipment to be all that difficult. Time consuming and/or expensive, yes. Difficult, no.

That written, it is the within idea of "artistic expression" (as the result of a personal "vision") where the true difficulty resides.

However, iMo, not all artistic expression is all that difficult. It is very easy, easier now than ever, to point a picture making device at a conventionally pretty / pleasant referent - person, place or thing - and create an "artistic expression" which would be viewed quite favorably by a large segment of the population. ASIDE: I am not suggesting that this is a bad thing but, rather, that, for most, it is not a particulary difficult form of artistic expression to achieve.END ASIDE

All of the above written, what I consider to be the most difficult challenge in picture making is that of making interesting (aka: visually engaging) / beautiful (the print-not the referent-in and of itself) pictures of the quotidian life around us.

The primary reason I believe that making pictures of the everyday life around us is difficult is that it involves risk. The out-on-a-limb risk of rejecting what you have been told is a good picture and making pictures of what you see all around you. In addition, there is most certainly the risk of the rejection / lack of appreciation of one's pictures by a large segment of the population.

However, I believe the most difficult hurdle to overcome in the pursuit of picturing the mundane is developing trust in one's vision. That is, that one tuly believes that what one sees, the manner in which one pictures it and presents it is, indeed, both interesting and beautiful.

civilized ku # 5263 # / diptych # 235 ~ for your perusal

Schellengers Restaurant ~ Wildwood, NJ (embiggenable) • iPhone

sill sitters ~ embiggenable) • µ4/3 / iPhone

Presented above are 2 pictures of the same referents, one made with the iPhone camera module (JPRG format, HDR setting), the other with a "real" camera (Olympus E-P5 / RAW format). The pictures were made with approximately the same focal length lens.

While the pictures are not identical inasmuch as I would have had to use a much smaller aperture on the Oly picture in order to mimic the same DOF as the iPhone picture. Nevertheless, in terms of native resolution / sharpness (none applied to either in processing), color fidelity, dynamic range, et al, the results are very close to identical. In fact, when viewed as 20"x20" prints from a normal viewing distance, they are identical, image quality wise.

FYI, tomorrow I am heading out to our camp for the month of September. I will respond to Julian Behrisch Elce's request-I’d love to hear you unpack "I am desperately trying to avoid going all the way,” on Sunday or Monday at the latest.

civilized ku # 5262 / diptych # 234 (the new snapshot) ~ no apologies needed

Hugo posing ~ Ottawa, CA. (embiggenable)• iPhone

motors ~ (embiggenable) • iPhone

As my picture making slowly slides into the iPhone realm-I am desperately trying to avoid going all the way-I must admit that the idea of "ultimate image quality" has faded even further in to the background of my picture making mind set than it already was.

Specifically, since I acquired a digital camera capable of making RAW files-c.2003-I have been a full-on maker of RAW files. Nary a camera-made JPEG file has ever darkened content of my hard drives. While the fact remains that, whenever I use a "real" camera, I still shoot only RAW, my iPhone camera module picture making is full on JPEG format.

ASIDE I do have a iPhone camera app which allows me to make pictures in the RAW format, I have yet to spend any significant amount of time trying to grasp the techniques (shooting+processing) to do so, or, if it is even advantageous to do so. And, the fact remains that I most likely never will ... if I want RAW, I'll use a "real" camera. END ASIDE

The reason for that belief is simple ... I want to keep my iPhone picture making as simple as possible in order to adapt my iPhone picture making mentally into a "snapshot" frame of mind. That is, as close as possible to the original KODAK advertising slogan of You push the button. We do the rest. While I do the rest, it is done on my iPhone with, again, the idea of keeping it as simple as possible.

In shooting JEPG format with the iPhone and processing it on the iPhone, I have been pleasantly surprised at the image quality that it is possible to obtain with careful shooting and processing techniques. As mentioned previously, the image quality is such that I can make a print of one of my "serious" photograph-made with the iPhone-for which no apology is needed, quality-wise.

FYI, for newcomers to this blog, the genesis of my recent the new snapshot awakening can be found in the book, The Art of the American Snapshot ~ 1888-1978. Specifically in the following excerpt regarding the 1944 MOMA exhibition, The American Snapshot:

.... the pictures "constitute[d] the most vital, most dynamic, most interesting and worthwhile photographic exhibition ever assembled by the Museum of Modern Art" .... [P]raised as being "without artistc pretensions" and coming "nearer to achieving the stature of true art than any of the inbred preciosities in the museum's permanent collection of in any of its previous shows," the photographs were applauded as "honest, realistic, human and articulate."

I really like making pictures which are honest, realistic, human and articulate.

civilized ku # 5261 / diptych # 233 (the new snapshot) ~ photographs in conversation

Wildwood boardwalk ~ Wildwood, NJ (embiggenable) • iPhone

chairs and water ~ Stone Harbor, NJ (embiggenable) • iPhone

diptychcahairswater is an addition to my photographs in conversation work. Click on conversations in the categories list below to see the rest of the pictures from the exhibition of the same name.

Whie this conversation is one in which I conversed with myself, the exhibition pictures were colaborations with other picture makers. That is, I sent pictures ( 1 each) to other collaborators who responded with a picture which created a conversation between the 2 pictures. It was a fun project. One which I would like to continue with again.

Anyone interested?

ku # 2001 / diptych # 231 / the new snapshot (polaroid) # 233-35 ~ out and about

Lake Champlain / Au Sable Point ~ (embiggenable) • iPhone

booths / Port Henry Diner ~ Port Henry, NY - (embiggenable) • iPhone

Champy ~ Port Henry, NY - (embiggenable) • iPhone

diner ~ Port Henry, NY - (embiggenable) • iPhone

booth~ Port Henry, NY - (embiggenable) • iPhone

booth~ Port Henry, NY - (embiggenable) • iPhone

Over on TOP, a bit of advice was suggested by Kenneth Tanaka:

If I could offer any bit of advice to Mark it would be to drop the 'iPhone Made' distinction .... Just take the photos and merge them into the crowd according to the moments or concepts that propelled them.

When I print my pictures-for gallery display, photo books or just for my walls-iPhone pictures and "real" camera pictures are not identified by picture making device of origin. In those cases, a picture is just a picture.

However, when it comes to my website / blog, I do distinguish the picture making device of origin for one primary reason. That is, I have become an iPhone picture making capability enthusiast /advocate to the point that I conduct occasional iPhone technique-to include on phone processing-workshops. I do so for just the pure enjoyment I get from passing on my experience to others who are able to benefit from it.

When I advertise workshop dates, I direct those who are interested to my website / blog in order that they might view the iPhone (or similar device) picture making capability. In this case the iPhone Made nomenclature serves a meaningful function.

FYI, All pictures in this entry were made with the iPhone. With exception of the Lake Champlain picture, all pictures were processed on the iPhone using Snapseed. After Snapseed processing, the Polariod pictures were created using the Instant app.

The Lake Champlain picture, because I consider it to be a "serious" picture, was Snapseed processed on the iPhone for only highlight capture and a very small amount of shadow lightening. The file was subsequently downloaded from my iCloud storage and the remainder of the processing was performed using PS and my "standard" "serious" picture processing workflow.

civilized ku # 5248 / diptych # 230 ~ by another other name

on Main Street  ~ Saratoga Springs, NY - (embiggenable) • iPhone

the "toy"  ~ Lake Placid, NY - (embiggenable) • iPhone

Went to Saratoga Springs yesterday to buy a new toy. Mission accomplished. Drove it home.

The "toy" is a 500C Abarth Turbo Cabrio. That means it has an Abarth tuned turbo 1.4L motor, manual transmission, Abarth tuned sport suspension / discs / calibers / wheels and tires, a sweet rorty exhaust note - all wrapped together under a powered fold-back soft top roof. Leather seats (heated) and lots of other accessories / electronics adorn the interior. All-in-all a finely tuned pocket rocket that's flat out fun, fun, fun.

BTW, some might call it a Fiat-although, the name does not appear anywhere on the car-but they do so with the risk of being stung by my pet scorpion.

civilized ku # 5244-45 / diptych # 226-29 ~ road tripping

road trip ~ (embiggenable) • µ4/3

pool from hotel room window ~ Rochester, NY - (embiggenable) • µ4/3

Kearney girls / diner ~ Rochester, NY - (embiggenable) • iPhone

PM / AM ~ Rochester, NY - (embiggenable) • iPhone

Annie's art / Annie + family - photo by me c.1978 ~ Elmira, NY - (embiggenable) • iPhone

griddle for world record pancake ~ Penn Yan, NY - (embiggenable) • iPhone

My 3 day road trip - >Rochester>Elmira>Penn Yan - was a fantastic success. Lunch in Rochester with the Kearney H.S. girls, in Elmira (NY Southern Tier) a day with a dinner with Annie (who unexpectedly and suddenly lost her husband 1 year ago) and a 4.5 hr lunch in Penn Yan (NY Finger Lakes Region) with Mike Johnston (of TOP fame fame). Each encounter was very enjoyable and interesting.

FYI, the hammer-blow-upside-my-head of the trip was the impact of standing in front of a toilet (in Annie's home) and being stunned by the picture on the wall in front of me. A picture I made over 40 years ago. Annie's husband, Murray, loved the picture so much, he placed it on the wall behind the toilet so he could view it every time he peed - a somewhat weird honor but an honor nevertheless.

Not nearly as stunning, but impressive nevertheless, was discovering the gigantic griddle used to make the then (1987) World Record Pancake - 28'1". The pancake was cooked before an estimated 5,000 people, and many of them helped eat the 28-foot buckwheat hotcake slathered in butter and maple syrup. Sorry I missed the event.

Re: my stated intention on this road trip to make pictures with my "real" cameras didn't pan out. I made a few such pictures but the iPhone sucked me in again.