# 5989-90 / hockey ~ I'll try anything once.

downtown Albany, NY ~ (embiggenable)

Nice helmets ~ (embiggenable)

DROVE TO ALBANY (NY) YESTERDAY TO ATTEND A NCAA D1 REGIONAL HOCKEY GAME. Notre Dame v. North Dakota. A good, closely played game won by Notre Dame 2-1 in OT.

The question of the day was, Sports action photography with an iPhone? The answer: Sure. why not?

FYI, every time I see the Notre Dame glittering, shiny hockey helmets (hand painted before every game), they always strike me as rather weird. But, if the ND football team can do it, why not the ND hockey team?

# 5987 / reflections on art (book) ~ it is exactly what it was

covers ~ (embiggenable)

spreads ~ (embiggenable)

spreads ~ (embiggenable)

statement ~ (embiggenable)

AFTER 8 YEARS I HAVE FINALLY GOT AROUND TO remaking the photo book, refections on art ~ the eye traffics in feelings. The photo book which was actually stolen. A happening that I consider to be of the highest compliment.

As I felt it necessary to mention in the book, I will write again here that the pictures in the book are straight out of the camera. They are not double exposures or composites.

FYI, I believe it is worth a mention, re: Mike Johnston’s OL/OC/OY notion, that I am not a such a picture making practitioner. I am (in my personal picturing), in fact, a OL/OC/IP - that is one lens / one camera / in perpetuity.

To clarify: in the making of pictures meant to be art / fine art, I have always, through a number of picturing “periods”, used one lens / one camera for a considerable length of time. In the beginning (c.1980) I used an 8x10 view camera and a Ektar (Kodak) 10in. lens for about 3-4 years. Later (c.2000, after a 20 year fine art hiatus), I used an Olympus µ4/3 camera (one iteration or another) with a 20mm lens on one camera and a 17mm lens on another-the 2 lenses were very similar in angle of view. Eventually, about 3 years ago, my “one” camera became the iPhone (one iteration or another) and using the “normal”, aka: semi-wide lens. During the 20 year hiatus I did use one lens / one camera to make a ton of personal snapshots ( and a some Fine Art pictures). That camera and lens combination was-I actually had 5 and still do-the Polaroid SX-70.

I mention this because I truly believe that one lens / one camera is the only way to find one’s vision and move on to making Fine* Art.

* for what it’s worth, in a series of books (mystery books by a single author) I am reading, a re-occurring character defines FINE as, Fucked up, Insecure, Neurotic, and Egotistical.

# 5986 / kitchen sink (book) ~ look, really look, and you shall see

covers ~ (embiggenable)

spreads ~ (embiggenable)

spreads ~ (embiggenable)

statement ~ (embiggenable)

YET ANOTHER PHOTO BOOK, the kitchen sink ~ a rich life of its own, HEADED TO THE PRINTING PRESS. And I must admit that when I began the edit to narrow the pictures down to the top 20, I was a bit intimidated inasmuch as there were over 160 pictures in the kitchen sink folder.

However, after viewing all 160 of the pictures as a group in Adobe Bridge, I was able to surprising easily cull out 50 pictures in my first cut. Then I opened those pictures and arranged them in neat rows on my monitor where, once again viewing them all together, it was rather easy to identify the 20 (actually 22) finalists.

All of that decided, I came to the artist statement challenge, about which Thomas Rink had a few thoughts (thank you Thomas):

I think these pictures do not need an essay at all to go with them - they speak well for themselves. Absolutely no need to rationalize (or justify) why you made them! There is a high risk that an essay will appear contrived, which would rather take away from the series instead of adding to it….

I tend to agree with Rink’s idea to the extent that I have been considering (for a couple years) of simply using a quote from Paul Strand as a stand-in artist statement:

Every artist I suppose has a sense of what they think has been the importance of their work. But to ask them to define it is not really a fair question. My real answer would be, the answer is on the wall.

So, you can read my adaptation of Strand’s position, re: the artist statement, above. Although, in the case of a photo book, I may amend it to read, the answer is on the pages of the book

# 5981-83 / the new snapshot ~ here and gone again

my backyard ~ (embiggenable)

heading home from a cider run ~ (embiggenable)

THIS SATURDAY PAST WE HAD A SNOWFALL WHICH COVERED the then snow-free landscape. Later the same day we had a dramatically color-saturated sunset. An event that does not normally follow a snowstorm.

In any event, Spring was here for a week, then it was gone. Now, 3 days later, the snow is mostly gone and Spring is back again. Our cat is very happy.

# 5975-77 / picture windows • landscape (civilized ku) ~ setting a few things straight

on the campus of SUNY Plattsburgh ~ (embiggenable)

I had the green light to make a picture ~ (embiggenable)

why don’t we do it in the road? ~ (embiggenable)

THIS ENTRY FALLS UNDER THE HEADING OF dispelling misconceptions.

item 1 - In light of quite a number of recent entries which featured pictures under the heading of around the house (to include kitchen life / sink), some might assume, incorrectly, that I don’t get out and around much. While I do get out and around quite frequently for a wide variety of reasons, there is something about the cold (and dreariness) of winter that works against my out-of-the-house picture making.

Be that as it may, yesterday I ventured north to see a photography exhibit, North by Nuuk: Greenland after Rockwell Kent, at the Burke Gallery on the campus of SUNY Plattsbugh State College. It was also a meet-the-artist event. The work was sorta decorative art documentary / photo journalistic in style, which is not to write that it was not very high quality. FYI, more on the artist later.

In any event, after a few errands I headed home and along the way my eye and sensibilities were pricked by a couple scenes, so I made a couple pictures. One was made from the driver’s seat of my car, for the other picture I got my lazy ass out of the car. Proof positive that I do, in fact, get out and about.

item 2 - I have been writing, some might think nattering, quite a bit about the notion of fine art. As a result, some might also think that I am thinking very highly of myself and my pictures, or, that I am setting myself up as an oracle or arbitrator on things fine art, photography wise. To be perfectly clear, if anyone is holding those notions, let me write here and now that you are wrong.

Simply put, I am merely offering my opinions on the subject, the intent of which is to stir up some thoughts and opinions on the subject from readers of this blog.

That written, I have some experience, re: my thoughts on the subject of fine art photography. For a period of time I was a contributing writer / critic, re: fine art photography, for the national fine art magazine, The New Art Examiner (long gone). Specifically, they assigned me to review various photography exhibitions (solo exhibitions) around the North East. I enjoyed doing so until it became excruciatingly obvious (to me) that people were taking my opinions way too seriously. As in, what I wrote could seriously effect, pro or con, a photographer’s career.

When I came to that realization, that was the end of that endeavor. I had absolutely no intention or desire to assume the mantle of the maker or the breaker of anyone’s career. After all, it was just my opinion. I was not speaking / writing ex cathedra.

And, FYI, whether of not my pictures are fine art pictures is not for me to judge. I’ll leave that decision up to gallery directors and the like.

#5945-47 / around the house • civilizedku ~ twitchyness

the place to be on a sub-0 degree (F) day ~ (embiggenable)

the red truck ~ (embiggenable)

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I find it strangely beautiful that the camera with its inherent clarity of object and detail can produce images that in spite of themselves offer possibilities to be more than they are ... a photograph of nothing very important at all, nothing but an intuition, a response, a twitch from the photographer’s experience.“ - Joel Meyerowitz

# 5943-44 / kitchen life • civilized ku ~ because the individual is different

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The photographs that excite me are photographs that say something in a new manner; not for the sake of being different, but ones that are different because the individual is different and the individual expresses himself. I realize that we all do express ourselves, but those who express that which is always being done are those whose thinking is almost in every way in accord with everyone else. Expression on this basis has become dull to those who wish to think for themselves.“ ~ Harry Callahan