rist camp diaries # 19-21 (civilized ku / the new snapshot) ~ if a chimney falls in the forest...

mining ghost town chimney/fireplace ~ (embiggenable) • iPhone

(embiggenable) • iPhone

(embiggenable) • iPhone

An expanded caption:

mining ghost town fireplace/chimney - adjoining the McIntyre Iron Works there was a 15-20 buildings village. Those buildings, left in place after mine closed c. 1856, had deteriorated and partially collapsed. A few years ago, the building ruins were cleared away leaving 12 (or more - I didn't count them) standing fireplaces+chimneys.

When driving around rural New York State, it is not unusual to see chimneys standing alone where a house used to be. However, walking down the road in the mining ghost town and seeing the standing chimneys surrounded by dense forest and looming hills/mountains creates a somewhat surreal landscape.

rist camp diaries # 15-18 (ku/civilized ku/the new snapshot) ~ blasting way with the iPhone

Erica on the Hudson RIver ~ (embiggenable) • iPhone

trout/Wild Center ~ (embiggenable) • iPhone

blast furnace ~ (embiggenable) • iPhone

Expanded captions:

Erica on the Hudson River - this location is adjacent to the remains of the McIntrye Iron Works (built 1849). At this location, the Hudson is approximately 1/8 mile from the river's source.

trout/ Wild Center - the rainbow trout is in a giant life-like river exhibit at the Wild Center, a center devoted to the natural world of the Adirondack PARK.

blast furnace - the McIntrye Iron Works' blast furnace (built 1849) and iron works was in operation for only 2 years. In addition to the problem of getting the processed iron ore out of the remote location, there was an "impurity" in the ore which made it very difficult to process. The "impurity" was discovered, in the 1930s, to be titanium whereupon a giant mine works was built (in use until 1962) near the original site. The government built a railroad into the site in order to obtain the titanium for use in WWII.

Civilized ku # 5265 / rist camp diaries # 12-13 (ku / civilized ku) ~ mistakes happen

reflection ~ (embiggenable) • iPhone

star gazing ~ (embiggenable) • µ4/3

Milky Way ~ (embiggenable) • µ4/3

During my stay at Rist Camp there have been too many guests and other diversions of one sort or another for me to keep up with my intended blog posting. I have kept up with my picture-a-day project with those pictures posted on Instagram and the occasional Facebook post.

In any event, in today's entry there is picture, star gazing, which could be labeled as an accidental success. The picture appears to be a double exposure when, in fact, it is a single exposure. The picture is the result of my unintenional shutter activation while I was placing the camera on a stone wall in preperation for making a picture of the northern lights, aka: Aurora Borealis. The shutter speed was long enough to capture, as the camera was descending, the star gazing figure (who was illuminated by light from the camp) and subsequently, when the camera was in place on the stone wall, to capture the northern lights, aka: Aurora Borealis. And, to be honest, I didn't check the picture on the LCD screen, assuming it was just a blurry mistake.

It is often stated that "mistakes happen" but, in my experience, they rarely turn out so well.

rist camp diaries # 8-11 (civilized ku / the new snapshot) ~ update

Raquette Lake dock ~ Adirondack PARK, NY (embiggenable) • iPhone

Rist Camp ~ Adirondack PARK, NY (embiggenable) • iPhone

W. W. Durant ~ Adirondack PARK, NY (embiggenable) • iPhone

camp refreshments ~ Adirondack PARK, NY (embiggenable) • iPhone

Been away from camp and my computer for considerable lengths of time attending to a number of unexpected activities. Consequently, I have fallen behind on my picture processing. Today I finally have time to do a little catching up.

Tomorrow I will update more of my 1-a-day Rist Camp Diary pictures.

rist camp diaries # 7 / the new snapshot # 247-48 ~ the good ole fashion way

a visit to Hoss's ~ Long Lake/Adirondack PARK, NY (embiggenable) • iPhone

In yesterday's entry, I mentioned that I was making more than the 1 picture a day (for rist camp diaries project). Consequently, the question arose (in my head), how do I handle those pictures?

Quite obviously (to me), any "serious" pictures will be handled with my "standard" processing and presentation. For the other pictures (iPhone), it make sense (to me) to handle them in the the new snapshot mode.

The reason why that makes sense should be rather obvious. Polaroid film is much more expensive than regular film. That written, it makes economic sense to limit my Polariod picture making to the 1-picture-a-day project and make the rest of my vacation pictures with regular film. Then take the film to the drugstore for inexpensive processing and printing.

At least that's how my dad would have done it.

civilized ku # 5263 # / diptych # 235 ~ for your perusal

Schellengers Restaurant ~ Wildwood, NJ (embiggenable) • iPhone

sill sitters ~ embiggenable) • µ4/3 / iPhone

Presented above are 2 pictures of the same referents, one made with the iPhone camera module (JPRG format, HDR setting), the other with a "real" camera (Olympus E-P5 / RAW format). The pictures were made with approximately the same focal length lens.

While the pictures are not identical inasmuch as I would have had to use a much smaller aperture on the Oly picture in order to mimic the same DOF as the iPhone picture. Nevertheless, in terms of native resolution / sharpness (none applied to either in processing), color fidelity, dynamic range, et al, the results are very close to identical. In fact, when viewed as 20"x20" prints from a normal viewing distance, they are identical, image quality wise.

FYI, tomorrow I am heading out to our camp for the month of September. I will respond to Julian Behrisch Elce's request-I’d love to hear you unpack "I am desperately trying to avoid going all the way,” on Sunday or Monday at the latest.

civilized ku # 5262 / diptych # 234 (the new snapshot) ~ no apologies needed

Hugo posing ~ Ottawa, CA. (embiggenable)• iPhone

motors ~ (embiggenable) • iPhone

As my picture making slowly slides into the iPhone realm-I am desperately trying to avoid going all the way-I must admit that the idea of "ultimate image quality" has faded even further in to the background of my picture making mind set than it already was.

Specifically, since I acquired a digital camera capable of making RAW files-c.2003-I have been a full-on maker of RAW files. Nary a camera-made JPEG file has ever darkened content of my hard drives. While the fact remains that, whenever I use a "real" camera, I still shoot only RAW, my iPhone camera module picture making is full on JPEG format.

ASIDE I do have a iPhone camera app which allows me to make pictures in the RAW format, I have yet to spend any significant amount of time trying to grasp the techniques (shooting+processing) to do so, or, if it is even advantageous to do so. And, the fact remains that I most likely never will ... if I want RAW, I'll use a "real" camera. END ASIDE

The reason for that belief is simple ... I want to keep my iPhone picture making as simple as possible in order to adapt my iPhone picture making mentally into a "snapshot" frame of mind. That is, as close as possible to the original KODAK advertising slogan of You push the button. We do the rest. While I do the rest, it is done on my iPhone with, again, the idea of keeping it as simple as possible.

In shooting JEPG format with the iPhone and processing it on the iPhone, I have been pleasantly surprised at the image quality that it is possible to obtain with careful shooting and processing techniques. As mentioned previously, the image quality is such that I can make a print of one of my "serious" photograph-made with the iPhone-for which no apology is needed, quality-wise.

FYI, for newcomers to this blog, the genesis of my recent the new snapshot awakening can be found in the book, The Art of the American Snapshot ~ 1888-1978. Specifically in the following excerpt regarding the 1944 MOMA exhibition, The American Snapshot:

.... the pictures "constitute[d] the most vital, most dynamic, most interesting and worthwhile photographic exhibition ever assembled by the Museum of Modern Art" .... [P]raised as being "without artistc pretensions" and coming "nearer to achieving the stature of true art than any of the inbred preciosities in the museum's permanent collection of in any of its previous shows," the photographs were applauded as "honest, realistic, human and articulate."

I really like making pictures which are honest, realistic, human and articulate.

The new snapshot # 242-46 ~ "reinvented", my ass

hot dog guy ~ (embiggenable) • iPhone

hot rod motor ~ (embiggenable) • iPhone

Lonesome Bay ~ Lower Saranac Lake, NY - (embiggenable) • iPhone

hot rod pickup ~ (embiggenable) • iPhone

Oh baby, let's go to the hop ~ (embiggenable) • iPhone

The interweb, Photo Division, is all a-buzz, re: the new Nikon mirrorless cameras as well as Nikon's ultimate-image-quality lenses which were introduced along with the cameras. However, for me, it's much a-do about not so much.

Nikon's claim that the cameras are "mirrorless reinvented" is ridiculous advertising sloganering. Mirrorless was invented and introduced in 2004. Since then quite a few mirrorless iterations have appeared on the market, each building upon what came before. That written, the formula remains the same ... compact body (relative to DSLRs) and lenses developed to maximize their application in conjunction with the mirrorless bodies. Various bells and whistles abound, but nevertheless, the basic formula remains the same.

I was an early adopter of the mirrorless camera, starting with an Olympus E-P1 and, over the years, moving up the iteration ladder (E-P2 > E-P5). Along the way, I assembled a nice 6 lens collection, although, 85% of my pictures a made with the same lens.

Would I ever be tempted to move the new Nikon mirrorless world? In a word, "No." But, you might ask, what about those "ultimate" image quality lenses? Don't I want the"ultimate" dynamic range, resolution / sharpness, color accuracy, et al? In a word, "No"

My reason for the word no is simple. iMo, "ultimate" image quality has nothing to do with "ultimate" dynamic range, resolution / sharpness, color accuracy, et al. Those qualities are of a technical nature and, although those qualities might be important in some picture making applications, iMo, those qualities, in and of themselves, do not an interesting picture make.

In today's picture making world, as in the past, the vast majority of really good picture makers, in their picture making, pay little or no attention to achieving "ultimate" image quality in the technical sense. In their picture making, their interests are directed toward other visual qualities which elevate their pictures above mere technical considerations.