# 6645-50 / places • people • things ~ my change over day in pictures

(embiggenable)

(embiggenable)

(embiggenable)

(embiggenable)

(embiggenable)

(embiggenable)

YESTERDAY MORNING I CLOSED OUT MY 76th year on the planet and began the first day of my 77th year on the planet first day with a walk around the neighborhood to check out the rain results on our local river and brook. Both were raging and roaring up to, but not over, flood stage level. Returning home I got into my normal morning wake up routine which goes as follows…

Coffee, coffee, coffee

coffee, coffee

coffee

Everybody shut up

coffee

Next up, around noon, I picked up a good friend (since grammar school) and went to lunch where I made an instax picture / print of our friendly bartender /waitress. After a very leisurely repast + a tipple of Lagavulan 16 (all praise the peat), we headed out to return my friend to his home. During the drive we drove straight into yet another rain storm. And, after arriving at my house, I and the cat lounged through an hour-and-a-half thunder storm. Me on the bed reading and he under the bed hiding.

Next up, the wife arrived home from work and I made a call to our local liquor store to inquire about the anticipated arrival of a unique whiskey, Fuji Japanese Whisky, I had requested that they find and order. Lo and behold, it had arrived on the very day of the beginning of my 77th year.

So, after the wife retrieved said whisky, we spent a relaxing 2 hours on our back porch inbibing and watching the rain clouded sky transition into a soft, drifting clouds sunset.

It was a nice day.

BTW, the pictures in this entry appear in top-bottom, chronological order.

# 6636-44 / around the house • foliage • (un)common things ~ all backed up

(embiggenable)

(embiggenable)

(embiggenable)

(embiggenable)

(embiggenable)

(embiggenable)

(embiggenable)

(embiggenable)

(embiggenable)

OVER THE PAST WEEK OR SO I HAVE BEEN afflicted with a kinda constipation, i.e. the making of many discursive promiscuity pictures, placing them in a number of individual blog entry setups, and then not posting any of them them cuz I couldn’t come up with any words to accompany them. Add to that that I have been spending some time sitting out on our front porch and our back porch while contemplating the Haudenosaunee Thanksgiving Address and there you have it - the recipe for letting time and other stuff slip by and backup.

The Haudenosaunee interest-the Six Nations Iroquois Confederacy (People of the Longhouse)-Address-a Greetings to the Natural World-was instigated by a recent visit-I have been there a number of times-to the nearby Six Nations Iroquois Cultural Center. The Address is kinda like a meditation which expresses and encourages gratitude for the earth, people, earth, waters, plants, animals, birds, bushes, trees, winds, sun, moon, stars, as well as the unseen spiritual forces. It recognizes that are a multitude of connections between human beings and all living things in the world and that we have been given the duty to live in balance and harmony with each other and all living things.

What I find very mysteriously attractive about the Address is the fact that, as one person expressed it, it…

conjures up no image of a vassal bowing in thanks before his lord who grants blessing or apologies-as in the medieval world view that still frames much of our contemporary western world. Instead, this gratitude situates us in the great web of all life, with all being, and helps us remember the true miracle that it is to be alive and our deep relationship with all things.

FLASHING RED ALERT - before you start thinking that I’m going down a hippy-dippy, loopy-metaphysical, mystical rabbit hole, stop. That written, I call your attention to my recent entry, a river of time stopped in its tracks, wherein I wrote (and discounted) thatI wonder if my constant-near daily-making of photographs of seemingly inconsequential things in or around my house is a subconscious attempt to slow things / time down. To hold on to and appreciate every moment that is left to me.” END OF ALERT

The writer of the above comment suggested a writing exercise that express gratitude for something you have gratitude for. One such example given was to…

….write a piece expressing gratitude for this moment, just as it is, with all its ordinariness, imperfections, and/or wonderfulness.

In thinking about that idea I came to realize that that suggested subject matter comes pretty damn close to describing how I have been drawing with light* - making pictures of daily life, snatched from a moment in time, just as it is (straight photography), with all of its ordinariness, imperfections, and, as I see it, (potentially) wonderful form.

So, does that suggest that I have been expressing in my pictures a gratitude for the everyday? I have never thought of it that way but, on the other hand, I have thought of it as an expression of appreciation for the oft-overlooked “gifts” as found and seen in the commonplace. An appreciation that I hope might be a sorta contagious influence for others to become aware of that state of awareness.

On the other hand, as written in the aforementioned entry, I am just making pictures of what I see and how I see it. That is, making pictures that I hope are made in a fashion which others may find interesting, for reason or another, to look at.

*Ya know, photography-from the Greek words photos (light) and graphos (drawing).

FEATURED COMMENT from Garet Munger

I wonder if this from Poet Mary Oliver might be a statement of gratitude fitting the sentiment of the Haudenosaunee Thanksgiving Address you refer to….


My work is loving the world.
Here the sunflowers, there the hummingbird — equal seekers of sweetness. Here the quickening yeast; there the blue plums.
Here the clam deep in the speckled sand.
Are my boots old? Is my coat torn? Am I no longer young and still not half-perfect? Let me keep my mind on what matters, which is my work,
which is mostly standing still and learning to be astonished.
The phoebe, the delphinium.
The sheep in the pasture, and the pasture. Which is mostly rejoicing, since all ingredients are here,
which is gratitude, to be given a mind and a heart and these body-clothes, a mouth with which to give shouts of joy to the moth and the wren, to the sleepy dug-up clam,
telling them all, over and over, how it is that we live forever. ~ Mary Oliver

# 6625-28 / around the house ~ a river of time stopped in its tracks

(embiggenable)

(embiggenable)

(embiggenable)

(embiggenable)

(embiggenable)

Letting the days go by, water flowing underground
Once in a lifetime, water flowing underground -
Talking Heads

Life flows by like a river. I think of it as a river of time - a metaphor of our lives as we experience it. When we make photographs, we have ability to snatch a moment-most often a mere fraction of a second-from the flow of time and render it indelibly for anyone to see at any time. And, perhaps, to experience it-the moment-vicariously again and again until the end of (their) allotted time.

That written, at my ripe-old age of 76 my life seems to be flowing by like speeding train. And, at times, I wonder if my constant-near daily-making of photographs of seemingly inconsequential things in or around my house is a subconscious attempt to slow things / time down. To hold on to and appreciate every moment that is left to me.

On the other hand, to avoid going down a self-analytical rabbit hole-ya know, like the Academic Lunatic Fringe who try to force-cram self-referential meaning into their pictures-I can write that I am just making pictures of what I see and how I see it, aka:my vision. It’s what I do and have done for a long, long time. That’s simply cuz I have not ever been able to locate the off button for my eye and sensibilities mechanism. It-my picture making propensity-is most likely nothing more than just that.

In any event, the actual point I am driving at in this entry is that I simply do not understand those picture makers who are constantly whining about a lack of “inspiration”. A shortage of which is keeping them from getting out making pictures. To which I write…

…get over it. iMo, “inspiration” has nothing to do with it. Rather, the “desire” to make pictures has everything to do with it. That and fostering one’s intrinsic / native vision. If you don’t have a recognized and understood (by you) vision, just get out there, start making pictures and find it.

When it comes right down to it, as in my case, one does not have to even “get out there”. I see enough picture making possibilities in and around my house to keep me busy for a lifetime.

FYI, the pictures in this entry are but a few of the around the house pictures I have made over the past week or so.

# 6621-23 / common places • common things • people ~ a public pageantry of people on parade

street lights ~ Saranac Lake, NY (embiggenable)

mode de rue ~ Paris, France (embiggenable)

Old Montreal, Canada (embiggenable)

IF COMMENTS FROM THOMAS AND DENNIS ON my last entry are any indication, I apparently created confusion, re: my idea of street photography. While I thought that the pictures in the entry might make my what is street photography? idea fairly clear, I believe the confusion culprit is the phrase “…can be done anywhere and people do not have to be present in the photo”. So, let me give it another go using my own words, as opposed to quoting those from some else. Smiply put…

iMo, to my eye and sensibilities, street photography is the surreptitious act of making candid pictures which depict people, in public places (primarily man-made environments), displaying gestures, expressions, body language, including quirky / spontaneous / curious situations and relationships to others and/or their immediate environment, and the like.

No. I do not believe any of Sir Ansel’s pictures of the natural world are street photographs. They are landscape photographs. While I appreciate-and make-street scenes devoid of people, I do not consider them to be street photography. No. They are urban landscapes.

All of that written, it should go without writing (as he writes it while writing it nevertheless) that street photography can be many different things to many different people. Ultimately, that’s OK with me cuz, I don’t give a damn what a picture might be labeled as. I care only about whether, or not, any picture (any genre) is, iMo and to my eye and sensibilities, a good picture.

# 6612-15 / common things • street photography ~ touchy, touchy

statuary ~ (embiggenable)

(embiggenable)

(embiggenable)

(embiggenable)

PROCRASTINATION IS THE WORD OF THE WEEK. Since returning from Portugal, my mind, photography projects-wise, has been overloaded; processing, organizing and printing Portugal pictures, acquiring and messin’ around with the Instax printer and thinking about what I want to do with it, and what should be at the top o’ the heap - finalizing the work (and getting it out the door) on my Adirondack Survey Project.

The net result of all that mental muddle has been a bit of slacking off, blog entry-wise. However, over the past week there has been a bit of a preoccupation on a few sites, re: street photography. It seems like a bit of a contagion spreading from on site to another. So…

…the prime irritant which got me infected with the bug was a bit of a snit-ty entry from my annoyingly favorite Texas-based gearhead obsessive who is prone to getting a bit testy when his non-commercial, aka “personal”, photography bonafides are called into question. In this case, it seems that another blogger (unnamed) opined that the Texan’s pictures, those self-described as “street'“ photography, are not street photography at all. This poke at the hornet’s nest send the Texan into a snit that resulted in a throw spit-balls at the wall and see what sticks exercise. The spit-balls were a very large number of pictures, some of which had the “look” of street photography, others not so much.

That written, it is not my intention to get into the are-they-or-ain’t-they street photography fracas. My intent is to get off my chest, once and for all, my opinion that the work in question and, or for that matter, and / all of the non-commercial pictures posted by the Texan exhibit not single shred of a coherent picture making vision. And, when confronted with a similar assessment-which he has been-his defense is that his site is a gear review site, not an “art” site.

Well, iMo, he just blew that defense to smithereens. If his posting of his cluster-fuck / poorly edited street photography is not an attempt to bolster his non-commercial picture making creds, then-as his entry states-”we’re all delusional” and so is he.

All of the above written, what this street photography contagion has caused me to do is spend some time processing some of my Portugal street photography pictures to monochrome and present them in a new WORK page gallery. Have a look and let me know what you think of it.

PS more on street photography-specifically, Mike Johnston’s Tips For Photographing in Public-in my next entry. And, the bathroom picture in this entry is the bathroom in a our Porto, Portugal hotel room. I want to replicate it in our house.

# 6611 / common places • common things ~ a return to yesteryear (sorta)

IT’S SORTA THE SAME BUT DIFFERENT; THERE IS the Polaroid camera whirl-like sound of the a print ejecting from the camera, the impatient wait for the image to develop, and the delight of almost instant gratification. However, different-wise, it’s not quite instant inasmuch as I need to send the image to the printer from my iPhone and, re: to obtain the result I want, I make a few simple adjustments-density, saturation, contrast-on the printer app and then hit the print button..

Nevertheless, in very short order I have a print in hand. A print that I can pass around to on-hand relatives or friends, an act which engenders much more delight than handing an iPhone around. And, should a request be expressed that someone would like a copy of the print, I can just press the print button and viola.

FYI, the palm sized printer is a Fujifilm Instax Mini Link 2 Smartphone Printer.-$100US at B&H. The prints are credit card size. Prints can be made from a just-made photo or from any picture in my iPhone’s picture library. Images are sent to the printer from my iPhone via Bluetooth (any phone with bluetooth will do). Print cost is $.66 a piece when purchased in a 6-pack. Each print pack has 10 prints. BTW, there is an Instax Wide Link Printer-2.4 x 3.9" prints-and an Instax Square Link Printer-2.44 x 2.44" prints-available.

This thing is a genuine more-fun-than-a-barrel-of-monkeys print making device. I mean, after making the purchase, how much photo fun can you have for only 66 cents a pop-actually, a whirl-is never ending.

All of that written, I now have a new objective, photography-wise. I want to create / exhibit The World’s Smallest Photo Exhibition. If I am able to get the word out far-and-wide enough, I would like to receive Instax print submissions made by others for consideration for the exhibition.

# 6606-09 / travel • common places • common things ~ from this day forward

(embiggenable)

(embiggenable)

(embiggenable)

daughter and husband return from their Mediterranean honeymoon*~ (embiggenable)

FROM THIS ENTRY FORWARD YOUCAN ASSUME, UNLESS otherwise noted, that all pictures have been made with PRORAW.

Now that I have programmed the RAW processing process into my muscle memory-I use a lot of keyboard shortcuts-it has become obvious that that process is actually less involved / time consuming than working with jpegs. That’s cuz I do not have contend with circumventing the iPhone picture making AI that wants every picture to look like a bright, sunny-like Kodachrome day.

Amongst other things, I no longer have to soften, aka: reduce contrast, highlight values. The shadow values require less work to reveal detail and the color values, re: saturation, are much more realistic / natural. Although, I still reduce, but to a lesser extent than when working with jpegs, contrast in order to achieve a smoother tonal transitions.

My image file processing is based around the idea of achieving a file that, when printed, has the look and feel, of what some might call it, an old-timey C print (on Kodak Ektacolor paper-although Agfa color paper was very nice-made from color negative film). To my eye and sensibilities, that look and feel has a very satisfyingly “gentle” appearance that is the polar opposite of what I consider to be the retched excesses of the digital realm-i.e. fetish-like obsession with sharpness / resolution, max dynamic range, “punchy” colors and saturation, and the like.

That written, digital prints are very capable of replicating the look and feel of a C print when the originating file has the “right” look and feel. And, FYI, when I was talking with Joel Meyerowitz-I received an invitation to the NYC opening of a gallery exhibition showing the work of Meyerowitz, Shore and Eggleston-we both mentioned our surprise that, when we scanned our 8x10 color negatives, how much additional information-detail and color range-was to be had from a color negative and was subsequently revealed in a digital print.

me looking at a Meyerowitz after my conversation with Meyerowitz ~ (embiggenable)

* no, they did not take the train back from Europe. Instead, they flew from Europe to Montreal-only 50 miles or so from where we live-and rode the train, The Adirondack, to home where we met them at the station. The Adirondack runs daily-both directions-between Montreal and New York City. The route, along the very edge of Lake Champlain and the Hudson River has been voted as one of the top 10 picturesque train trips in the world.

# 6602-05 / commmon places • common things ~ old dog, new tricks

(embiggenable)

(embiggenable)

(embiggenable)

(embiggenable)

I TOOK AN OATH THAT I WAS NOT GONNA do it but I gave in and did it nevertheless. Made a few iPhone Apple PRORAW pictures just to see what’s what and, damn it, it is even worse than I thought it might be. That is to write, the files are so superior to iPhone jpegs-which are very good-that I am now doomed to making PRORAW files forever.

What that means is extra processing steps-mainly adding CAMERA RAW processing to the workflow-and, in the case of making 48mp originals (main camera only), the resulting 210mb files will definitely require increasing my storage / backup needs. Fortunately, it seems that my desktop Mini Mac is up to the task of handling the bigger files. Although, that written, I have set my camera format preferences to making12 mp files - I’ll save the 48mp format for special picture making situations.

The 4 pictures in this entry are examples of the results from PRORAW files.

RE: “superior to iPhone jpegs” - the primary differences that I see in PRORAW files are; A. (obviously) the total lack of any AI applications that create a look that Apple developers think is what a picture should look like, B. hence, rather nice tonal smoothness, C. increased dynamic range (more shadow detail, smoother highlights), D. “natural” color and color saturation, E. increased but not exaggerated fine detail.

CAVEAT: Unlike that Texas based gear-head who actually believes that he can post jpegs online that illustrate the fine visual file qualities of different lens / camera sensors, et al, I realize that my sample images might not demonstrate fully the visual qualities of the PRORAW files.

My only suggestion to those of you who might be “serious” iPhone camera module users who “concentrate” when making your pictures, try PRORAW. You might like it.